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R Kelly You Saved Me Mp3 Download11/24/2020
U Saved Me 06:14 104 1.16 2.
R Kelly You Saved Me Mp3 Full Length TracksHappy People 06:05 97 1.16 Entire Release: 1.91 Get new release alerts R Kelly Jive Related artists: Mungos Hi Fi DRM Free DJ-friendly full length tracks Secure Shopping --.These tracks cannot be purchased individually but are available to download as part of the release Close. AAP Rocky Phantogram) - Lines mp3 Don Moen - I Love to Be in Your Presence mp3 1HappyBirthdaySong-HappyBirthdayToYou mp3 Television - Days mp3 Sexion DAssaut En Plein Hiver mp3 CKY - Behind The Screams mp3 Home Made Kazoku - Brand New Day mp3 Linkin Park - Fear mp3 Joan Armatrading - Rosie mp3 Maroon 5 - Closer mp3 Hugh Grant - A Way Back Into Love mp3 The Blinded - Along The Way mp3 Gettin Over You (Extended) mp3 Sagopa Kajmer - Vesselam mp3 R. Kelly Format: Music Download Vendor: Daywind Music Group Publication Date: 2005 Stock No: WWDL141667-CP. For those that believe the con, its as seductive as ever, but for those that see through his act, its harder than ever to stomach. Please enable JavaScript in your browser to use the site fully. If the child pornography allegations leveled against him werent so heinous (not to mention detailed and allegedly supported by videotapes), and if he werent so quick to paint himself as a martyr -- highlighted by, but not limited to, him bizarrely empathizing with Osama Bin Laden in a 2003 interview with Blender Magazine -- it might be easier to ignore his trials and tribulations and focus on the art. Of course, a whirlwind of similar charges, including an annulled marriage to the teenage Aaliyah, doesnt exactly help matters either, nor does his music. His catalog is soaked in sex and gleefully shallow, celebrating the pleasures of the moment, whether its carnal (Bump n Grind) or corny (I Believe I Can Fly). The heightened graphic sexuality of his oeuvre feeds suspicions that the allegations, even if they cant be proved, have weight, which makes it very hard for some listeners to hear Kelly s music without thinking of the scandals. Without them, he cant play the martyr, which he eagerly does, both directly and indirectly, on the music hes made since the scandal. Instead of getting defiant -- as did Michael Jackson, when he attacked prosecutor Tom Sneddon in the embarrassing, barely veiled D.S. Kelly spins his notoriety for sympathy, acknowledging that hes a flawed man and a sinner, but he believes in God and hes just looking for love and peace. That, in a nutshell, are the themes of Happy PeopleU Saved Me, a double disc containing two distinct albums (just like OutKast s SpeakerboxxThe Love Below ). The first, Happy People, is a seductive, late-night album about positivity and love, the second all about salvation and God. Its hard not to believe this character redefinition is a calculated move -- not in the least because it coincides with the lack of a Parental Warning label and a noticeable abandonment of his trademark explicitness -- designed to strengthen the fans, lure the listeners who dont care, and win over, if not skeptics, at least potential jurors. He may switch the specific sins -- instead of a pedophile and pornographer, hes a drunk driver on the title track, merely a rogue on How Did You Manage -- in effort to absolve himself of guilt from any real-life accusations, yet this still gives him the opportunity to ask for forgiveness for any number of unnamed sins. No matter how Kelly pleas for forgiveness though, hes singing as if hes already been saved, as if hes taken salvation for granted. Thats the essence of U Saved Me: its one of the rare religious albums where its all about the man, not the Lord. In contrast, Happy People is all about the women and, at times, the healing power of love. Its a seduction record and seduction has always been Kelly s strength, so it shouldnt be a huge surprise that it, overall, is the more successful album of the two, the one that sustains its romantic mood and delivers it with stylish economy. As a record, its assured and coherent, with little flab and a consistent vision; its one of his strongest efforts. But U Saved Me isnt far behind as a cohesive work either, perhaps lacking the hooks of its companion, but never deviating from its religious schmaltz, which is delivered with the conviction of a good carnival huckster. Kelly has shrugged off the celeb cameos that littered his prescandal work (though, be honest, would Celine Dion guest on an R. Kelly record these days), and hes turned away from any contemporary beats, relying on the classic 70s soul that has always been at the core of his best music. Hes turned inward, and that insularity has helped focus him, giving Happy People the feel of an old-school loverman record and U Saved Me a saccharine piety, qualities which enhance both records. But the problem with Kelly the musician remains the same -- hes a record-maker, not a songwriter, crafting grooves and sounds that may be seductive but have no substance whatsoever. He has genuine skills as a record-maker, as Happy People proves better than nearly any of his other albums, but those skills support music thats decidedly flimsy and falls apart upon close listening, when the hooks seem threadbare and the sentiments are either sleazy, self-pitying, or a repellant mixture of both.
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